Nasi Voutsas on how ONE can entice, seduce, inspire, inform
[Photo credit: Bert and Nasi in ONE. Photo by Joe Twigg]
Editor
How does it feel to destroy a theatre? Pretty good actually! Written by Emma Frankland
[Photo credit: Rosie Powell]
Now Is The Time To Say Nothing. Written by Caroline Williams
Have you ever turned on the news, seen some horrific images of a war far away, then changed channels and gone to make a cup of tea? Me too. I think we all have.
In 2014 I got asked to make a piece of work with some teenagers in Southwark about the civil war in Syria. My first thought was… I’m white, I don’t speak Arabic, I’ve never been to the Middle East so... no?
SANDBOX: Creating, Immersive Worlds and playable spaces
Hannah Jane Walker is highly sensitive. Is this a strength or weakness?
Why I wrote Old Stock: A Refugee Love Story by Hannah Moscovitch
You had me at ‘immersive show’…
In a world where there are so many theatrical fish in the sea, it can be hard to find true creative love. But Laura Drake Chambers and Cressida Peever have it. We interrogate the relationship of the Creative Producer and Writer of Shotgun Carousel’s new immersive experience, Red Palace, to ask how the hell did they manage a match made in heaven?
Rub shoulders with the lovers and fairies within the cavernous basement of Alexandra Palace as theatre mavericks RIFT bring you ‘A Midsummer Night’s Dream’
The Art of Turning Bullshit Into Fertiliser by Marv Radio
[Photo credit: Marv Radio by Robin Jade]
The importance of enabling relevant, outstanding, inclusive and diverse arts practice by Wac Head of Dance, Ingrid Mackinnon
[Photo credit: Ingrid Mackinnon Wac Arts. Image by Gabriel Mokake]