- Produced by how to academy
- Price Earlybird: £26.60 General: £31.91 including booking fee
- Get ready to delve into two masterminds
- Bring along brain power
- See you at Emmanuel Centre
An evening of Dangerous Ideas with the philosopher Slavoj Žižek and polemicist Will Self.
An unmissable conversation with No Rules, No Censorship and No Holding Back. Exchanging ideas over todays ideological, political and economic faultlines, from mass migration and geopolitical tension to explosions of populist, ethnic and religious passion, all framed by a global capitalism which seems bent on provoking its own apocalyptic demise.
Zizek has been called the most dangerous thinker in the West, an intellectual activist with a frenzied appetite for big ideas, and for revealing their hidden life inside our everyday concerns. Nothing is safe from his attention, whether Hegel or vampire movies. As a public critic he has been remorselessly critical of liberal democracy, for purveying freedoms which are illusory and complicit with the unfreedoms from which it claims to protect us. With increasing urgency, Zizek would like us to wake up.
His new book, The Courage of Hopelessness: Chronicles of a Year of Acting Dangerously rides today’s ideological, political and economic faultlines, from mass migration and geopolitical tension to explosions of populist, ethnic and religious passion, all framed by a global capitalism which seems bent on provoking its own apocalyptic demise. We wait for crisis, and crisis is upon us: ‘True courage is to admit that the light at the end of the tunnel is most likely the headlights of another train approaching from the opposite direction.’ Is there time for radical change before the collision, or is it only through collision that change can come about?
Will Self is another contrarian who can see a world of contradiction in a grain of sand. He too has argued that our ‘project’ has hit the buffers, and ponders whether there is a way back to the future. His distinguished body of fiction joins light comedy and heavy thinking, in whose service he has driven the novel to its limits of toleration as a form, while as a critic, broadcaster and provocateur he has wryly claimed that ‘I just want to be misunderstood’.