Expect an evening of revved-up punk-rock-garage, surf-inspired indie rock and blonde-heavy dream-punk from Kyoto's Otoboke Beaver, Busan's Say Sue Me and Ohio’s Leggy.

Otoboke Beaver おとぼけビ～バ～ are a punk-rock-garage quartet from Kyoto, Japan named after a local ‘Love Hotel’-they describe themselves as: “Japanese girls ‘knock out or pound cake’ band”. Formed in 2009’s summer in Kyoto, Japan, and consists of Accorinrin (Lead Vocal & Guitar), Yoyoyoshie (Guitar &Vocals), Hiro-chan (Bass &Vocals) and Pop (Drums &Vocals).

Live the band often invade the audience, often with guitarist Yoshie crowd-surfing whilst playing wild riffs flawlessly. Sonically, it’s crazed, deranged garage, punk-rock-pop at break-neck speed and everyone sings in Japanese, often in Kyoto slang. 2017 was a breakthrough year for the band with premieres in Pitchfork, NPR, i-D and The Fader, astonishing SXSW/Fuji Rock debuts, a sold-out 100 Club gig and their ‘Love Is Short’ 7” sat in the UK charts for 4 weeks. 2018 promises to just as exciting.

“The Kyoto feminist punks Otoboke Beaver blaze through “Love Is Short” with all the gravitational force of a brick to the ground. It’s sheer calamity and deliriously fun—supercharged, sugar-rush hardcore with breathless vocals, pogoing rhythms, and torrential DayGlo riffs…the fire of “Love Is Short” recalls a lineage of patriarchy-scorching girl-gang shrieks, from the Slits’ “Shoplifting” to Bikini Kill’s “Liar” and beyond.” - Pitchfork

“Their Riot Grrrl attitudes and passion for noise-rock make them stand out as true renegades in the underground scene.” – i-D

“The Kyoto-based Otoboke Beaver takes in the history of Japanese punk and runs with scissors in hand towards the bonkers-noise of early Boredoms, Afrirampo’s uninhibited avant-punk, and the revved-up garage-rock of Shonen Knife (and maybe a little bit of John Zorn‘s blistering Naked City, just to put it over the top). Punk is rarely this charmingly vicious.” - NPR

“Not new, just new to us. Unhinged garage-punk from Japanese all-woman quartet-not to be missed.” - The Guardian

Say Sue Me are a surf-inspired indie rock quartet from Busan, South Korea. Friends since 5th grade Jae Young (Bass) and Kim Byungkyu (guitar) met drummer kang Semin at high school and played in band’s together until the winter of 2012, when one day they were drinking tea and beer at a tea shop in Nampo-dong, when Sumi arrived. They liked her speaking voice and immediately offered her a spot as the vocalist in a new band that would become Say Sue Me. Sumi Choi turned out to be a natural at songwriting.

“Twee, but not too twee, Busan, South Korea four-piece Say Sue Me is my favorite recent random discovery. They released this endearing, 18-song self-titled album in April. Really sweet, melodic rock that makes me feel like I’m in high school.” - The Fader

“The quartet play an addictive amalgam of sugary indie pop and gritty surf that showcases a finely-tuned sense of melody and technical skill. Frontwoman Sumi Choi is a witty lyricist, and she writes songs about normal things such as going to work, drinking too much, feeling lonely (“Long Night and Crying”), or being a problem child (“One Week”) in relatable, humorous way. Nary a song on Say Sue Me isn’t a total ear worm.” - Mariana Timony Bandcamp Daily

"Hazy, somewhat melancholy, but exuding a beautifully golden glow that lingers for long after the track has finished…a wonderful burst of guitar pop,” - Gold Flake Paint

Hailing from the heartland of America, Ohio’s Leggy is a blonde-heavy dream punk trio exploding with empowered earnestness, an undeniably catchy pop sensibility and that ever timeless grrrl in-and-out of love allure. With influences drawn from contemporary artists like Lana Del Rey & St. Vincent, as well as 90’s jammers like The Breeders and Hole, Leggy produce a unique style of music that equal parts dark pop and shimmery punk.

Leggy began after singer/ guitarist Veronique Allaer (Belgian parents) took a hip-breaking tumble off a fire escape days after graduating from college. Priorities drastically rearranged, she ditched the plans for grad school and instead moved into a house with her two best friends and music lovers, Kerstin Bladh and Christopher Campbell. The three began crafting raucous yet infectious garage pop led by Bladh’s fuzzed out and slinky bass lines, fortified with Campbell’s heavy-hitting yet tight drum beats, and sweetened with Allaer’s saccharine vocals.