Run Riot is a listing of cultural happenings in and around london.
Stay in the know! Subscribe to the run riot weekly email!
Fusing the classical style of pre-modern European architecture and design with contemporary performance, London based Argentinian artist Pablo Bronstein enriches still image in his exhibition Historical Dances in an Antique Setting, taking place at Tate Britain until October 9th 2016.
This year London celebrates the 40th anniversary of punk's explosion out from the streets of the city and across the world. The Roundhouse hosts a weekender from the 8th to the 10th of July to celebrate the subculture with a series of shows, film showings and discussions. We asked Jane Beese, The Roundhouse's Head of Music since 2015, to talk us through a weekend of well-deserved rebellion.
Almost as soon as punters started arriving at Field Day, monsoon-like rainfall ensued, turning Victoria Park into a mud pit. More prepared attendees donned their waterproofs with a wry smile; the majority tried to grin as their New Balances and floral flares became completely saturated. All stoically went on in, compelled by the excellent line-up.
Writer, journalist and broadcaster Ekow Eshun was the youngest editor of a British men's magazine at Arena and served as Director of the Institute of Contemporary Art until 2010. He regularly appears as a cultural critic on TV and radio and has also written a book about his Ghanaian-British identity, Black Gold of the Sun.
Run Riot last caught up with Film Directors Matt Hopkins and Ben Lankester back in 2014, when they were about to embark on a crowdfunding campaign to raise funds for their feature film A Divorce Before Marriage, a documentary following the band I Like Trains.
Turning Sadler's Wells inside out, No Body is an unprecedented undertaking for the venue – a series of choreography pieces without any performers. Dances without dancers. Instead, there's film, music, lighting installations and soundwalks of one of London's favourite dance venues. The result is a series of pieces that maintain the full immersive experience of theatre & dance, while completely challenging our traditional relationships with it.
Born in Buenos Aires, Argentina, Constanza Macras moved to Berlin in 1995 as a dancer before setting up her first dance company. Since then she has choreographed and taught internationally. Her company 
